Art Galleries in Kuala Lumpur, Malaysia

Kuala Lumpur, Malaysia, Culture with a capital “C”

Because of its historical past Malaysia is rich in art, dance, theatre, music and culture in general. The many cultures living in this abundant city reflect on the art they brought along.  Art is not immediately visible when traveling around Kuala Lumpur, but when visitors to the city search, they definitely can find some fine cultural experiences.

A good start would be the Malaysia Tourist Information Complex (MATIC) at Jalan Ampang in walking distance from the Petronas Twin Towers. Depending in which part of the year K.L. is visited, a variety of cultural festivals will be available. At MATIC the friendly staff will guide and help travelers to all activities around the city. Every Saturday night they host an open air traditional Malaysian music and dance performance at the main entrance of MATIC, starts at 8.30pm and is free for any visitor.

Art Galleries

Art galleries most of the time are small in scale but will make plenty of work from local artists available, most art galleries offer worldwide shipping options.

The Malaysian National Art Gallery

NationalArt Gallery(Balai Seni Lukis Negara) has a permanent collection of work by contemporary Malaysian artists and rotating exhibitions of Asian and international artists. The 7 exhibition halls, total 13.500 square meters and offer hours of cultural pleasure. The permanent collection consists of over 4,000 pieces of artwork, including many historical pieces, indigenous art and sculptures from all over the Peninsular as also from Sabah and Sarawak. The gallery lays a little outside the city center, but easy to reach by public transport,  The exhibitions are free to visit and the gallery can be found next to Istana Budaya at Jalan Temerloh off Jalan Tun Razak.

PetronasArt Gallery

This gallery is located at Jalan Ampang on the third floor of the Suria KLCC, probably the city’s most sophisticated art gallery. The gallery helps and promotes the development of art in Malaysia. It’s an avenue for both Malaysian and foreign artists alike. This multi-purpose venue measures close to 1,500 square meters of exhibition floor space including rooms for workshops and a small lecture rooms. The Petronas art gallery has a full agenda for the year ahead.

PavilionShopping Center

Some commercial art galleries can be found in the newly erected Mall at Jalan Bukit Bintang The Pavilion, on the 5th and 6th floor the visitor finds a home and lifestyle department, where some art galleries have nestled.  Work from local artist is brought on display in this eloquent accommodation.

Starhill Gallery

Starhill Gallery, other then its name would suspect is the name of the whole shopping center but offers on their top floor some smaller art galleries. Which give Starhill the finesse it deserves.

Central Market

Central Market is a marvelous place to see local artists at work, a wide array of styles can be found in this art filled establishment. Artists will be creating work while visitors watch them at what they do best. Central Market is located close to China Town within the Golden Triangle of Kuala Lumpur.

Other Art Galleries and Areas

The National Islam Museum is definitely worth a visit. Another good area to visit is Bangsar, an up-market part of the city, where scattered around The Bangsar Village a shopping complex a few art galleries have grounded on their roots. Collectors Gallery, Pelita Hati House of Art and Valentine Willie Fine Art are established names in this part of the city..

Some small scale art galleries can be found at the Sri Hartmas area close to Mont Kiara.

However scattered over the city, Kuala Lumpur offers some great art expositions, and any art loving traveler will be pleasantly triggered here.

Written by Dutchwriter
Freelance travel writer, copywriter and world traveler

Kuala Lumpur, Malaysia, Culture with a capital “C”

Because of its historical past Malaysia is rich in art, dance, theatre, music and culture in general. The many cultures living in this abundant city reflect on the art they brought along.  Art is not immediately visible when traveling around Kuala Lumpur, but when visitors to the city search, they definitely can find some fine cultural experiences.

A good start would be the Malaysia Tourist Information Complex (MATIC) at Jalan Ampang in walking distance from the Petronas Twin Towers. Depending in which part of the year K.L. is visited, a variety of cultural festivals will be available. At MATIC the friendly staff will guide and help travelers to all activities around the city. Every Saturday night they host an open air traditional Malaysian music and dance performance at the main entrance of MATIC, starts at 8.30pm and is free for any visitor.

Art Galleries

Art galleries most of the time are small in scale but will make plenty of work from local artists available, most art galleries offer worldwide shipping options.

The Malaysian National Art Gallery

NationalArt Gallery(Balai Seni Lukis Negara) has a permanent collection of work by contemporary Malaysian artists and rotating exhibitions of Asian and international artists. The 7 exhibition halls, total 13.500 square meters and offer hours of cultural pleasure. The permanent collection consists of over 4,000 pieces of artwork, including many historical pieces, indigenous art and sculptures from all over the Peninsular as also from Sabah and Sarawak. The gallery lays a little outside the city center, but easy to reach by public transport,  The exhibitions are free to visit and the gallery can be found next to Istana Budaya at Jalan Temerloh off Jalan Tun Razak.

PetronasArt Gallery

This gallery is located at Jalan Ampang on the third floor of the Suria KLCC, probably the city’s most sophisticated art gallery. The gallery helps and promotes the development of art in Malaysia. It’s an avenue for both Malaysian and foreign artists alike. This multi-purpose venue measures close to 1,500 square meters of exhibition floor space including rooms for workshops and a small lecture rooms. The Petronas art gallery has a full agenda for the year ahead.

PavilionShopping Center

Some commercial art galleries can be found in the newly erected Mall at Jalan Bukit Bintang The Pavilion, on the 5th and 6th floor the visitor finds a home and lifestyle department, where some art galleries have nestled.  Work from local artist is brought on display in this eloquent accommodation.

Starhill Gallery

Starhill Gallery, other then its name would suspect is the name of the whole shopping center but offers on their top floor some smaller art galleries. Which give Starhill the finesse it deserves.

Central Market

Central Market is a marvelous place to see local artists at work, a wide array of styles can be found in this art filled establishment. Artists will be creating work while visitors watch them at what they do best. Central Market is located close to China Town within the Golden Triangle of Kuala Lumpur.

Other Art Galleries and Areas

The National Islam Museum is definitely worth a visit. Another good area to visit is Bangsar, an up-market part of the city, where scattered around The Bangsar Village a shopping complex a few art galleries have grounded on their roots. Collectors Gallery, Pelita Hati House of Art and Valentine Willie Fine Art are established names in this part of the city..

Some small scale art galleries can be found at the Sri Hartmas area close to Mont Kiara.

However scattered over the city, Kuala Lumpur offers some great art expositions, and any art loving traveler will be pleasantly triggered here.

The Art Ross Trophy has been handed out to the regular season points leader in the National Hockey League each season since 1947-48.  Over the 61 years since the trophy was first awarded, eight players have captured the trophy in consecutive years.

Gordie Howe of the Detroit Red Wings became the first NHL player to accomplish this rarity. Howe won the trophy four times consecutively from 1950-51 to 1953-54. Over his great playing career, Gordie would take home the award twice more, both while playing in Detroit.

Shortly after, Dickie Moore of the Montreal Canadiens was awarded the Art Ross Trophy twice in a row. Moore led the league with 84 points in 1957-58. The next year, he increased the NHL record to 96 points while winning his second Art Ross. Moore’s record would stay in the books until 1965-66 when Bobby Hull of the Chicago Blackhawks bettered it by a single point. Hull won three scoring championships over his career, however, never consecutively.

Bobby Hull’s teammate with the Blackhawks, Stan Mikita, was the next player to lead the National Hockey League in points over consecutive seasons. Mikita did it twice. The first pair were during the 1963-64 and 1964-65 seasons. The second time was immediately following Hull’s record performance, 1966-67 and 1967-68. In 1966-67, Mikita would equal Hull’s 97 points.

The late 1960’s and early 1970’s brought several new expansion teams to the NHL. The original six teams weren’t willing to share the Art Ross and didn’t give it up until 1978-79. With expansion came a lot more scoring. Phil Esposito of the Boston Bruins was awarded the Art Ross in four straight seasons from 1970-71 to 1973-74. His point totals of 152, 133, 130 and 145 over those four years shattered the previous scoring marks of Mikita and Hull.

Guy Lafleur of the Montreal Canadiens replaced Esposito as the NHL’s premier point-getter in 1975-76 and won the Art Ross three years consecutively, playing for what is arguably the best hockey team to ever play.

The game of hockey changed drastically in 1979-80 as Wayne Gretzky first skated in the league. In just his second season with the Edmonton Oilers, Gretzky won the Art Ross and bettered Phil Esposito’s record with 164. Gretzky went on to win seven in a row with the Edmonton Oilers, setting the NHL record for points in a single season during the 1985-86 season with 215. Gretzky would also win consecutive Art Ross trophies as a member of the Los Angeles Kings in 1989-90 and 1990-91. He would win one more time in his career for a total of 10.

Mario Lemieux challenged but could not eclipse Gretzky’s mark of 215 points. However, he did win the Art Ross consecutively on three different occasions. He neared Gretzky’s record with 199 points in 1988-89, the second of his first two in a row. He would capture the Art Ross in 1991-92 and 1992-93 and then again in 1995-96 and 1996-97.

Lemieux’s teammate on the Pittsburgh Penguins, Jaromir Jagr took home the Art Ross four times consecutively from 1997-98 to 2000-01. Jagr won the trophy five times during his NHL playing career. Jagr, to date, is the last to win the award in straight seasons.

In all, the history of the Art Ross Trophy has not been one of sharing and equality. Only 25 different NHLers have won the trophy over the 61 years. From 1970 until 2000, only nine different skaters took home the award. For 20 years from 1980 to 2000, the Art Ross was selfishly kept between Gretzky, Lemieux and Jagr. Among the original six teams, only four have had scoring champions on the roster. A Toronto Maple Leaf or New York Ranger has never won the trophy. In fact, only 14 of the current 30 teams have one of their player’s names engraved on the Art Ross. 

Written by BeingAVeganAthlete

Convert Dvd To Ipod

The fifth generation of the Apple iPod supports not only audio, but also video playback, but the video format must be MP4 (MPEG-4). This is the video counterpart of the audio MP3 file. Although you can purchase MP4 video files from iTunes and other online sites, it is possible to copy a DVD movie into the MP4 format. This gives you the ability to watch any movie from your DVD collection on the iPod.

Download a DVD to Apple iPod converter program. You can find such a site that provides this kind of program at “Xilisoft.com,” “Leawo.com” and “Sheerboredom.net.” All three of these sites provide DVD to MP4 video converters.

Double-click the downloaded file to launch the installation wizard. Follow the brief set of prompts to install the software onto your computer.

Launch the DVD to MP4 program, then insert your DVD movie into the disc drive of the computer. In a moment the copy software detects the DVD movie and a menu appears on the screen.

Select a location to save the file to, choose “iPod” as the format you want to save it in, then click “Convert.” The program now runs through and copies the DVD video file into the MP4 format.

Launch iTunes. Click the “Movies” tab in the upper left corner of the screen. Click-and-drag the converted DVD video file into this open window.

Connect the USB cable into the port on the bottom of the iPod, then insert the opposite end into one of the USB port on your computer. The fifth generation iPod automatically syncs up with iTunes.

Click the iPod under “My Devices” on the left side of the screen, then click “Movies” on the top of the iPod menu. Check off the movie you want to add to the iPod and click “Sync.” The DVD movie is now added to your fifth generation iPod.

Written by gfergman7

The fifth generation of the Apple iPod supports not only audio, but also video playback, but the video format must be MP4 (MPEG-4). This is the video counterpart of the audio MP3 file. Although you can purchase MP4 video files from iTunes and other online sites, it is possible to copy a DVD movie into the MP4 format. This gives you the ability to watch any movie from your DVD collection on the iPod.

Download a DVD to Apple iPod converter program. You can find such a site that provides this kind of program at “Xilisoft.com,” “Leawo.com” and “Sheerboredom.net.” All three of these sites provide DVD to MP4 video converters.

Double-click the downloaded file to launch the installation wizard. Follow the brief set of prompts to install the software onto your computer.

Launch the DVD to MP4 program, then insert your DVD movie into the disc drive of the computer. In a moment the copy software detects the DVD movie and a menu appears on the screen.

Select a location to save the file to, choose “iPod” as the format you want to save it in, then click “Convert.” The program now runs through and copies the DVD video file into the MP4 format.

Launch iTunes. Click the “Movies” tab in the upper left corner of the screen. Click-and-drag the converted DVD video file into this open window.

Connect the USB cable into the port on the bottom of the iPod, then insert the opposite end into one of the USB port on your computer. The fifth generation iPod automatically syncs up with iTunes.

Click the iPod under “My Devices” on the left side of the screen, then click “Movies” on the top of the iPod menu. Check off the movie you want to add to the iPod and click “Sync.” The DVD movie is now added to your fifth generation iPod.

Bedtime Stories arrived on DVD on April 5, 2009. In Bedtime Stories, funnyman Adam Sandler (You Don’t Mess with the Zohan) shares the movie screen with Keri Russell (Waitress), Guy Pearce (Traitor), Russell Brand (Forgetting Sarah Marshall) and Courtney Cox Arquette (“Friends”) in this touching comic tale of an underdog whose fortune finally changes.

Growing up in his father’s hotel, little Skeeter Bronson (Adam Sandler) always dreamed of the day when he would manage the hotel. When a businessman buys the small hotel, he promises Skeeter’s father that Skeeter will one day manage the property, but over the years, the promise is forgotten.

As a handyman at the hotel his father used to own, Skeeter spends his days changing light bulbs and putting up with the insults of the hotel’s smarmy manager (Guy Pearce) who is engaged to the hotel owner’s beautiful, hard-partying daughter, Violet (Theresa Palmer). Skeeter has a small crush on Violet, but it is the hotel he really loves.

When Skeeter’s sister Wendy (Courteney Cox) asks him to babysit her kids for a week while she’s out of town, Skeeter must come up with ways to entertain the niece and nephew he barely knows in a home where television and junk food are not allowed. Remembering the stories his own father used to tell him, Skeeter begins to tell the children bedtime stories about an underdog  – sometimes a cowboy, sometimes a space character, sometimes in ancient Greece – but always overlooked again and again at work and by women. The first nightly tale is boring until the kids decide to insert some interesting touches of their own. When Skeeter experience some of the outlandish additions the children made to his story in real life, he begins to try to use the stories to improve his lot in life, but the kids’ unexpected contributions to each tale makes Skeeter’s life go in unexpected directions. For much more about the movie including specs, visit the sources listed below.

Sources

Bedtime Stories Is a Family-Friendly Fable

Bedtime Stories with Adam Sandler Comes to DVD – Movie Review

Written by KathrynDarden
~ Author ~ Publisher ~ Publicist ~ Promoter ~ Poet ~ Skin Care Consultant ~

The Six Minute Book Summary of The Art of Profitability by Adrian Slywotzky

Executive Summary

The Art of Profitability, by Adrian Slywotzky is an incredible book that describes and teaches the various methods to make a profit in whatever business or economic condition one might be in at that time.  He does this by telling a story of a man named David Zhao who is teaching his apprentice Steve Gardner the various profit models, twenty-three to be exact. That is how the book is broken up, twenty-three chapters or “lessons” on the profit models.  Here are some examples of the different profit models discussed.

            In lesson one, the first model discussed between Zhao and Steve is “Customer Solution Profit”.  This showed how one must, “Invest time and energy in learning all there is to know about your customers. Then use that knowledge to create specific solutions for them.  Lose money for a short time.  Make money for a long time.”  For example, by sending people of your own company to work at your customers in order to figure out how their company is run.  By doing this, you would have to invest your time, money, and resources but in the end it would pay off.  Once you have customized your services to fit the customers’ needs, you will start seeing an increase in your own profits.  Another positive about this book, Zhao would draw graphs showing the effect of the model on the profit curve over time.  This makes it very easy for the reader to understand the model by just looking at a graph.

            In lesson two, the discussion between Zhao and his apprentice move onto “Pyramid Profit”.  They explain how by setting different price levels on your product would help increase your profit and keep competitors off your back.  By pricing the product higher on each step up on the pyramid you can add features that meet the needs of a variety of customers.  This model allows you to spread your customer base and set your base products price low enough so that your competitors can’t undercut you in price.  The author states that, “A true pyramid is a system in which the lower-priced products are manufactured and sold with so much efficiency that it’s virtually impossible for a competitor to steal market share by under pricing you.”

            In lesson three, the topic discussed between Zhao and Steve is “Multi-Component Profit”.  Multi-component profit is basically taking the same product and selling it in a variety of different ways.  The example used in the book is coke.  Coke is sold in two-liters, as a fountain drink, and out of vending machines in a can or bottle.  By selling the same product in different ways and at different price points gives you the best odds of making the most profit out of your product.

The seventh lesson taught by Zhao is the “Profit-Multiplier Model”.  This model takes a single skill, asset, or intellectual property and multiplies it into many different forms of profit.  The author uses Honda as an example.  Hondas’ skill is making motors and they multiplied that into many different forms, by making motors for cars, motorcycles, lawnmowers, boats, and more.  They maximized their profit by creating different products based off their original skill.  By doing this you are able to save on your research and development cost, which adds to your profit.

In The Art of Profitability, there are twenty-three profit models discussed, there are many more.  They are the main ones that set the ground for profit models. This is a summary and review of what I took from and learned after reading The Art of Profitability by Adrian Slywotzky, but don’t take my word for it, read it for yourself!

The Ten Things Managers Need to Know fromThe Art of Profitability

1.            I believe there are twenty-three things managers need to know from this book because every profit model is important in its own way.

2.            Many of the profit models cross paths and seem very similar but it’s the little differences in them that make them so different.

3.            Know what profit model your business is run on so that you can make the most profit possible.

4.            In some models you are always trying to cut costs but in others you are investing all you can and taking the most risk, so know where your business falls in between these two extremes.

5.            To make a profit takes time, so don’t think as soon as you start using the model you will be successful. 

6.            As long as you stay with the model and follow it over time there is a profit to be gained.

7.            No matter the size of your business there is always a profit to be made.

8.            If your company is the one leading the industry, you are able to set the ground rules.

9.            Some company’s gain from using two or more of these models at the same time.  That’s why it is important to know them all in order to maximize your profits.

10.            Even in a recession, you are able to stay ahead of competitors.

Full Summary of The Art of Profitability

The Art of Profitability, by Adrian Slywotzky is an incredible book that describes and teaches the various methods to make a profit in whatever business or economic condition one might be in at that time.  He does this by telling a story of a man named David Zhao who is teaching his apprentice Steve Gardner the various profit models, twenty-three to be exact. That is how the book is broken up, twenty-three chapters or “lessons” on the profit models.

            In lesson one, the first model discussed between Zhao and Steve is “Customer Solution Profit”.  This showed how one must, “Invest time and energy in learning all there is to know about your customers. Then use that knowledge to create specific solutions for them.  Lose money for a short time.  Make money for a long time.”  For example, by sending people of your own company to work at your customers in order to figure out how their company is run.  By doing this, you would have to invest your time, money, and resources but in the end it would pay off.  Once you have customized your services to fit the customers’ needs, you will start seeing an increase in your own profits.  Another positive about this book, Zhao would draw graphs showing the effect of the model on the profit curve over time.  This makes it very easy for the reader to understand the model by just looking at a graph.

            In lesson two, the discussion between Zhao and his apprentice move onto “Pyramid Profit”.  They explain how by setting different price levels on your product would help increase your profit and keep competitors off your back.  By pricing the product higher on each step up on the pyramid you can add features that meet the needs of a variety of customers.  This model allows you to spread your customer base and set your base products price low enough so that your competitors can’t undercut you in price.  The author states that, “A true pyramid is a system in which the lower-priced products are manufactured and sold with so much efficiency that it’s virtually impossible for a competitor to steal market share by under pricing you.”

            In lesson three, the topic discussed between Zhao and Steve is “Multi-Component Profit”.  Multi-component profit is basically taking the same product and selling it in a variety of different ways.  The example used in the book is coke.  Coke is sold in two-liters, as a fountain drink, and out of vending machines in a can or bottle.  By selling the same product in different ways and at different price points gives you the best odds of making the most profit out of your product.

The forth lesson discussed is “Switchboard Profit”.  This one is a very basic concept.  The author states, “The more critical mass you build, the higher your probability of putting together a package that works.”  This is the basic idea behind switchboard profit.  By controlling and having deals with all facets of you business that represents the best of their divisions will allow you to control the price because you will by controlling the majority of the market.  If you are controlling the majority of the market, “the deals all begin flowing in your direction.”

“Time Profit” is the fifth lesson that is discussed in The Art of Profitability.  This model describes how the time on the market plays a role on the profit make on the product or idea.  Many times when a product comes out, copy-cats jump at another’s idea and shortly after they are selling knock-off versions of the original.  In order to maximize the sale of your original item, “they needed instant diffusion—a faster way to squeeze out the juice before everybody else learned the secret.”  Zhao and Steve discussed how this is done, by sending a letter to you clients before your announce the new product.  Then contact them on the phone notifying them of the availability and release dates.  Finally, training your staff on the product, so they have full knowledge and are able to answer any questions thrown at them.  This is how you can gain the maximum time on the market and make maximum profitability on your product or idea. 

In the sixth lesson they discuss the topic of “Blockbuster Profit”.  Blockbuster profit is a lot what it sounds like, trying to find that one big idea.  You should focus all your resources into the important projects and ideas.  Some of these will fail but eventually you will get one that takes off.  Then once it does you concentrate on getting the most profit you can out of it, in order to put back into research for other new ideas.  There is nothing easy or definite about this model, like the author says, “The blockbuster model is a mind game.  It takes huge confidence to aim high, to deliberately set out to build the next great blockbuster.”

The seventh lesson taught by Zhao is the “Profit-Multiplier Model”.  This model takes a single skill, asset, or intellectual property and multiplies it into many different forms of profit.  The author uses Honda as an example.  Hondas’ skill is making motors and they multiplied that into many different forms, by making motors for cars, motorcycles, lawnmowers, boats, and more.  They maximized their profit by creating different products based off their original skill.  By doing this you are able to save on your research and development cost, which adds to your profit.

Lesson eight in The Art of Profitability covers “Entrepreneurial Profit”.  This lesson shows how one can achieve entrepreneurial profit through super-frugality, clear communication, speed, experimentation, and fun.  For example, to save money fly coach, stay in cheaper hotels, and use the phone for as many conferences as possible instead of flying.  You should also make your goals very clear and reward those who perform the best.  This model also calls for experimenting.  If the experiment fails, get out quickly, but if it works, put everything into it.  This helps keep the employees interested and engaged in the work they are doing.

In lesson nine, Zhao and Steve discuss “Specialist Profits”.  By focusing on one discipline and specializing in it will increase your profits.  If you are a specialist, more talented people would want to work for you, “Therefore better quality, better cost, better ability to sell follow-on business.”  This in exchange will affect the pricing of your products.  For example, if you want to build a house, you do not go to a trim carpenter and get him to build the house.  You would want a guy that specializes in building houses.  By being this specialist you are able to get more business, get cheaper supplies, and attract people with talent to work for you.  At the same time people are willing to pay you more because you know exactly what to do.

The tenth lesson taught is “Installed Base Profit”.  After the customer makes the initial purchase, they have to make other purchases of the sellers’ consumables in order to keep their product up to date and working properly.  This is where the power switches to us, “In the original sale, the buyer had it…lots of choices.  In the after-sale, the seller has it because the buyer is locked into the seller’s consumables.”  Air-conditioning units is an example talked about in the book, once one is sold, you have to buy filters and have maintenance preformed on them. 

The eleventh lesson to be learned is “De Facto Standard Profit”.  To sum this model up, by being on the cutting edge of your industry, it causes competitors to scramble to catch up, costing them money.  In addition, it allows you to save on marketing.  The author states, “The owners of the de facto standard can plan and can shape the next stage of the industry’s unfolding landscape, because it’s their business plan that drives it.”  By leading the market your products are spread by word of mouth saving you on marketing.

Lesson twelve discusses “Brand Profit”.  This model is just what it sounds like; by creating a brand name in your industry you can increase your profits.  But first, in order to make a brand name you must study successful company’s business models, meet the consumers needs/wants, and have effective marketing.  By creating a brand name you are able to set the highest prices and make the most profit.  Some examples are, “Coke. Marlboro. Budweiser. Swatch. McDonald’s. Nike.”  These all show how important business models, marketing and meeting the consumers needs/wants really are when trying to establish a brand name.

 Lesson thirteen discusses “Specialty Product Profit”.  The author states, “The key is finding a legitimate need or variation and addressing it.”  Specialty product profit requires you to find a special niche that is demanded for and supply the consumer with that need.  This model is a lot harder to develop and requires mainly research to find that niche.  This model has decreased over the years and it is mainly commodity items being purchased over specialty items.  Although there are still some specialty products out there, but to find them one must, “think fine chemicals, think dyestuffs, think specialty papers, think specialty foods.” 

Lesson fourteen discusses the model of “Local Leadership Profit”.  This profit model shows that by having a large number of locations in a single city at a time will boost your profits.  By having many locations, you will take away prime locations from your competitors increasing your customer base and reducing the advertising costs of you company.  While at the same time this allows you to charge a premium for your product.   The best example they use is Starbucks, with their many locations they are the perfect example of this profit model.  This model can also be used country wide.  An example used of this is Wal-Mart.  They set up locations throughout the country then saturate it with stores.

In lesson fifteen, “Transaction Scale Profit” is discussed.  The author states, “Big transactions meant bigger profit, that cost per unit rose more slowly than revenue per unit the bigger the deal became.”  Taking the risk of going after only the dig deals with all your resources can pay off in the end.  The example used of this is real estate.  By investing your resources and money in going after the big deals, you may only sell a few houses a year but your commission on those few would be greater than the commission on selling many small houses. 

“Value Chain Position Profit” if the model discussed in lesson sixteen.  This model is exactly what it sounds like, the author states the there are “Places in the value chain, that are ten times more valuable then others in terms of profit, power, and control.”  This can be seen in Nike, the marketer and designer are the ones in the value chain that hold the power.  If you are able to recognize and capitalize on the bottleneck in a company you will be able to maximize your profits.

Lesson Seventeen discusses the model of “Cycle Profit”.  As utilization increases, costs decrease and price increases.  In this case you will make a profit.  When utilization decreases you will be loosing money because your costs will be higher than your price.  In order to stay ahead of competitors, you must bring down your break even point by reducing costs.  Toyota is the example used for this.  By reducing their fixed costs and lowering their breakeven point, “when others lose money, they break even.  When others break even, they make money.”  There profits will stay ahead of their competitors whether the economy is doing good or bad.

“After-Sale Profit” is the profit model discusses in lesson eighteen.  When selling high price items, “they should be expanding their scope to include a full-court press on the after-sale stuff to the original sale product, so that the customer has a compelling reason to buy the after-sale items and services from them.”  This will help maximize their profits.  On the other hand if they do not do this, other companies will recognize this gap and be able to capitalize on it.

Lesson nineteen discusses “New Product Profit”.  This model discusses how there is a limited time to capitalize on the profit of a new product.  When a product first arrives on the market there is a boom in sales because everyone wants that item.  This is the time you want to merchandise, build plants, and make deals.  But then when you realize you are going to be reaching the peak of the growth rate, start selling some of you plants to the latecomers.  Then with all of the profit you gave gained start searching and investing in that next new product so you catch it on the rising side of the profit curve.  The author states “Get off the last wave first, catch the next wave first.” 

The next model discussed is “Relative Market Share Profit” in lesson twenty.  The author states, “The higher the RMS, the higher the profit.”  By investing and building the largest market share you will maximize your profit.  The author says this profit can be gained because the biggest company pays the lowest price, lowest unit cost, and lowest marketing costs.  Being the largest company will also attract the best talent.  This company is the least volatile and is able to outspend competitors in any area of the business.

Lesson twenty-one in The Art of Profitability covers the “Experience Curve Profit”.  The author states, “It’s all about using experience to bring down costs faster than competitors do.”  This is a simple profit model, by using your experience to cut costs, such as fixed costs, faster than any others will increase your profits.  It is basically a race based on experience and whoever cuts costs the fastest wins. 

Lesson twenty-two discusses “Low-Cost Business Design Profit”.  This profit model “is hugely profitable as long as it continues to be dramatically lower-cost.”  By keeping the costs low you are able to gain the most profit out of your business.  Many of the profit models cross paths with each other and many of them relate back to the low-cost business design profit. 

The final lesson discussed in The Art of Profitability is lesson twenty-three, “Digital Profit”.  This model is about being digital or having an internet based company.  By following this model, “you can be hugely successful without being huge.”  You save on a huge amount of costs by having an internet based company.  For example, you save on customer interaction costs and customers can design your products to their specification saving you production costs.  In addition, many of their questions can be answered by the other customers on your site.  These are only some of the ways to gain a digital profit.

These are the twenty-three profit models discussed in The Art of Profitability, there are many more.  They are the main ones that set the ground for profit models. This is a summary and review of what I took from and learned after reading The Art of Profitability by Adrian Slywotzky, but don’t take my word for it, read it for yourself!

Personal Insights

Why I think:

With business conditions today, what the author wrote is – or is no longer true – because:

What the author wrote is true and can be used in business conditions today.  The author has profit models for every type of business and that can be used in any economic condition.  So when even in a recession, like today’s business conditions, you are able to make a profit or at least stay ahead of the competition. This can be done by using the cycle profit model, by cutting costs and changing your breakeven point, you are always one step ahead of your competitors. This is only one of the models; there are many more that can help your business.

If I were the author of the book, I would have done these three things differently:

1.            I would have spent more time discussing the differences between the models that cross paths and are similar to one another.

2.            I would have gone more in depth on how to apply these models into a business rather than talking about businesses that already have these models applied.

3.            I would have discussed more how a business can succeed from using multiple models at one time.

Reading this book made me think differently about the topic in these ways:

1.            I never realized how many different profit models there are in businesses.

2.            I didn’t realize how even the smallest differences in the models make the biggest differences when applied to a business.

3.            Time plays a large part in every profit model in a different way.

I’ll apply what I’ve learned in this book in my career by:

1.            I will find the profit model that fits my business and stick to it.

2.            I will keep costs low in order to gain the most profit.

3.            Even when in a recession, I know what to do to stay ahead of competitors.

Here is a sampling of what others have said about the book and its author:

There are many different reviews on this book and some of them differ, but over all I found more positive reviews than negative ones.  Here is an example of the different opinions on this book.  A reader stated on weread.com that, “If your job has anything to do with strategy, you must read this book.”  On the other hand, a reader named Li wrote that, “the author doesn’t go into more detail with some of his concepts, so what you’re left with is some vague idea of them…”  The only true way to know if you will like it is to read it for yourself.

Bibliography

Li,  (2004, April 6). Largely a Waste of time. Retrieved from

            http://www.amazon.com/Art-Profitability-Adrian-Slywotzky/product-

            reviews/0446692271/ref=cm_cr_pr_link_next_2?ie=UTF8&showViewpoint  

            s=0&pageNumber=2

Reader,  (2008, April 11). Reviews of the art of profitability. Retrieved from

            http://weread.com/reviews/0446692271/The+Art+of+Profitability/BOK-

            10469502-4

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Contact Info: To contact the author of this “Summary and Review of The Art of Profitability,” please email Justin.Tykol@selu.edu.  

Biography

David C. Wyld (dwyld.kwu@gmail.com) is the Robert Maurin Professor of Management at Southeastern Louisiana University in Hammond, Louisiana. He is a management consultant, researcher/writer, and executive educator. His blog, Wyld About Business, can be viewed at http://wyld-business.blogspot.com/. He also serves as the Director of the Reverse Auction Research Center (http://reverseauctionresearch.blogspot.com/), a hub of research and news in the expanding world of competitive bidding. Dr. Wyld also maintains compilations of works he has helped his students to turn into editorially-reviewed publications at the following sites:

Management Concepts (http://toptenmanagement.blogspot.com/)

Book Reviews (http://wyld-about-books.blogspot.com/) and

Travel and International Foods (http://wyld-about-food.blogspot.com/).                

Written by David Wyld
Professor of Management, Southeastern Louisiana University

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How to Perform (Part 9) Perfect Side Kick

The side kick is a powerful attack. However, it is great as a stopping kick. If someone is rushing you, shuffle back while stopping them in the waist with the side kick. If you don’t feel comfortable with that, you can kick the shin, knee, or thigh, which are actually better targets.

When executing the side kick, make sure you keep your supporting leg bent, with foot facing the opposite way of the target (or almost). This gives you better balance, stability and more power. Turn your body side on and lift your rear knee to your chest (or as high as is comfortably possible), into side kick position. Extend your leg in a pushing motion using the heel or “knife edge” of the foot to strike with. As you strike the kick you recover it back to your holding position, then place your foot back behind. It is better to practice slowly and fully understand the technique and mechanics of the movement before you attempt to do perform it quickly.

Side Kick Tips:

Turn your supporting foot in the same direction as you body when you kick.
Lift your knee to your chest – or as near as possible.
Performed the kick at different heights – low -  middle – high.
To execute this kick properly use a thrusting / stamping motion.
Strong muscles always perform techniques better.

Do not force the kick or try to reach somewhere you can’t – this will cause injury.

Side Kick

Overall, this technique is an invaluable must know kick for all martial artists, – it is very versatile and has almost limitkess use.

Side Kick Drills:Find a hill and run up it. It’s simple, cheap, and it works out all the muscles that make a side kick effective and works your cardiovascular system. Try running three sets of three up and down a decent sized hill with a break in between.

To further increase strength, do lunges. Lunges also work out those important kicking muscles so that your kicks can have that important power behind them. If you want to build some explosiveness, try squatting and then rising into a side kick.

Learn How To Become Deadlier Then A Shotgun Blast To The Face! Discover the world of Japanese fighting Arts and styles with this extreme compilation! Learn the history, tips and techniques from the best Martial Arts around!  

Written by Masterfu
Personal Fitness Coach, Sports Nutrition Counselor, Boxing, Self Defence, Martial Arts and Weapons Expert.

How to start your own martial arts training school

Dojo Success techniques are shared by Mr. Wilson’s.He also provides ample amount of guidelines to help anyone build a successful Martial Arts School of their your own.

The best part is that one will not need to spend thousands of dollars visiting different places or meeting Dojo’s famous masters, inorder to find these explosive secrets. Starting your own Martial Arts Training Academy is not hard when you have the right type of mentor to share with you step by step on how to buildSuccessful Martial Arts Gym

The author is a successful Martial Arts Gym owner who has learned from trial and error by visiting various famous Martial arts schools. Mentored by plenty of famous dojo masters on powerful, yet simple secrets for marketing any dojo martial arts gym. Dojo: The Definitive Guide By reading the book one will learn how to convert a normal members club into a tuition based professional school. It also provides useful knowledge as to why most of the martial arts studios fail. The book gives a glimpse of what students look for in a martial arts school. Find out what students want to learn as well as how to use a technique to attract an enroll students.

So if one is ready to jumpstart a career to success and earn a huge amount of money easily then get this guide. It is designed for those with experience and knowledge of martial arts, one will find each of the marketing and operating methods taught are proven to work.

When one learns Martial Arts its a variety of different types of techniques which include strikes, grappling or weapon training.The Japanese term Dojo means (place of the Way) a term referred to as a formal training place or gathering place for students to practice the art. In Japan a Dojo could also refer to a professional wrestling school. A key component of Martial Arts training is discipline in learning and teaching, as well as self defense techniques that use the hands and feet for combat.

 

Written by researchanalyst
Content Publisher

Dojo Success techniques are shared by Mr. Wilson’s.He also provides ample amount of guidelines to help anyone build a successful Martial Arts School of their your own.

The best part is that one will not need to spend thousands of dollars visiting different places or meeting Dojo’s famous masters, inorder to find these explosive secrets. Starting your own Martial Arts Training Academy is not hard when you have the right type of mentor to share with you step by step on how to buildSuccessful Martial Arts Gym

The author is a successful Martial Arts Gym owner who has learned from trial and error by visiting various famous Martial arts schools. Mentored by plenty of famous dojo masters on powerful, yet simple secrets for marketing any dojo martial arts gym. Dojo: The Definitive Guide By reading the book one will learn how to convert a normal members club into a tuition based professional school. It also provides useful knowledge as to why most of the martial arts studios fail. The book gives a glimpse of what students look for in a martial arts school. Find out what students want to learn as well as how to use a technique to attract an enroll students.

So if one is ready to jumpstart a career to success and earn a huge amount of money easily then get this guide. It is designed for those with experience and knowledge of martial arts, one will find each of the marketing and operating methods taught are proven to work.

When one learns Martial Arts its a variety of different types of techniques which include strikes, grappling or weapon training.The Japanese term Dojo means (place of the Way) a term referred to as a formal training place or gathering place for students to practice the art. In Japan a Dojo could also refer to a professional wrestling school. A key component of Martial Arts training is discipline in learning and teaching, as well as self defense techniques that use the hands and feet for combat.

 

Why is Capoeira an Art Form and Not a Martial Art?

Capoeira has long been in debate to whether it is an art form or a form of martial arts. However, there are strong grounds that Capoeira is indeed a form of martial arts, and there are several reasons for this.

The first reason can be found in the origins of Capoeira. It was initially brought over to Brazil by slaves in the 16th century. It developed and adapted initially in the northern areas of Brazil before becoming widespread throughout the country. It had been banned in periods due to the fighting methods practiced by the players and this was disguised by music and dance.

Several musicians would form a circle around two players competing against each other, partly so the players stayed within, but also to protect them from persecuting authorities. The musicians would play and the vocalists would sing to drown out the sounds of the players. The sound would inform the players when to start and stop their matches and how to play, and tied all participants into the ongoing sequence of games.

The players themselves disguised their fighting techniques by adding graceful and fluid dance movements. At times, the interface between two players bear a resemblance to athletic sparring, but predominantly, players appear to be collaborating in an acrobatic, spontaneous dance that merely implies fighting; they pass over and under each other, cart-wheeling and slipping close to the floor to narrowly avoid long, arcing kicks or stabbing head-butts.

One might assume that Capoeira is a martial art, but it is clearly a form of art. A person performing strives to display “malicia” (which means “cunning” or “savvy”), that might display itself as humour, technical genius, deceptiveness, the capability to anticipate another’s actions, a superior command of the space, and a sense of the theatrical.

If Capoeira was a martial art, it would simply strive to defeat its opponent; Capoeira strives to be graceful and beautiful and powerful all at the same time. Players interpret the music; they react in creative, unpredicted ways to an opponent’s moves, and use ritual, humour, and drama to enhance the act. Distinction in the Capoeira ring is judged by artistic, dramatic, and psychological criteria as well as the realistic deliberation of who gets tripped or knocked down. If it was simply a martial arts competition, the kicks and other forms of attack would be unsuitable just for pure fighting.

Another reason as to why Capoeira is an art form is the emotional response of the players and the audience. Ubirajara Almeida, known by the nickname “Mestre Acordeon,” writes that the rhythm of the berimbau is “black and strong, a deep and powerful pulse that reaches the heart,” a sound that he evocatively suggests can “envelop” the practitioner (Downey, p.495).

Over the years, Capoeira has evolved, adapted and adopted other forms of expressions that make up the different styles of Capoeira that are practiced today. But it is an art form, rather than a form of martial arts; it represents the connection with the past and the players’ roots in history. 

Bibliography:

Downey, Greg (2002) Listening to Capoeira: Phenomenology, Embodiment, and the Materiality of Music, Ethnomusicology, University of Illinois Press on behalf of the Society of Ethnomusicology.

Written by Lysianassa

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